All shades of red and their use

Greetings from the colorful world of red! This post will examine the wide range of red hues and their various applications in the world of paints and painting supplies. Red is a color that conjures up a wide range of feelings and ideas, from warmth and vitality to passion and vigor. Comprehending the subtleties of red hues can aid you in attaining your intended aesthetic, be it a bold statement or a subtle touch of warmth in your space.

Red comes in a variety of hues, each with its own distinct qualities and allure, ranging from the flamboyant intensity of crimson to the delicate elegance of rose. You can find the ideal shade of red to complement your project and convey your unique style by experimenting with the different shades that are available. There is a shade of red to fit into any design scheme, whether you prefer the earthy warmth of terracotta or the boldness of scarlet.

In the realm of interior design, red has a special place because, depending on the shade and application, it can produce a multitude of effects. Vibrant colors like cherry red or vermilion can add a sense of dynamism and vitality to areas where excitement and energy are desired. Conversely, softer colors like blush or coral can give a space a calming, romantic feel that’s ideal for creating a comfortable haven.

Red can be used outdoors to create a striking statement that blends in with the surrounding environment. Red colors can give personality and charm to any outdoor space, from traditional red barns to contemporary architectural accents. Selecting the appropriate shade of red for painting a front door, fence, or facade can improve curb appeal and make a warm and inviting first impression.

Red is aesthetically pleasing, but it also has symbolic meaning across a wide range of contexts and cultures. Red, a color linked to passion, love, and vigor, has been used historically to evoke strong feelings and ideas. With an awareness of the psychological and cultural implications of red, you can use its symbolic power to make designs that have an impact and have meaning.

Shade Use
Crimson Often used in interior design for a bold statement or in fashion for a striking accent.
Scarlet Commonly used in branding and advertising to convey energy, passion, and excitement.
Burgundy Popular in home decor for a sophisticated and luxurious feel, also seen in fashion for its elegance.

A little about red color

  1. Bulls in Corrida react not to a red cloak, but to the movements. They do not distinguish flowers.
  2. English telephone booths used to be silver-gray. And in the usual red they were repainted because of a thick fog.
  3. The newborn primarily begins to distinguish between red.
  4. Athletes in red form win more often.
  5. Casimir Malevich, in addition to the "Black Square", also wrote a little -known "Red Square".

Additionally, Valentino Garavani, the creator of the stylish brand Valentino, has this color as a favorite. Red is good for everyone, he said; you just have to find your own shade.

The history of color

The Egyptians used red more than 6000 years ago. For a considerable amount of time, clay containing iron impurities served as the primary source of pigment. The coloring pigment was first extracted from Maren plants, which are widely found in the Middle East and Central Asia, around the turn of the first century. It was first observed in Europe in the seventeenth century, and a century later, in the Caucasus.

Natural dye was made from worms in North Africa, India, and Russia, and was referred to as "cherry" in Russia up until the sixteenth century. The paint from the Chervets was known as "Koshenil" in France.

The boiled wood of sandalwood, campaign, and feranebook trees is another source of paint. Thus, they mined Bakan (Russia), Campash (France), and Karmin (Europe). Pomegranate juice, palm trees, and an infusion of exotic plants were utilized in some nations to make natural paint.

Meaning in psychology

There was a conflicting view of red in psychology. Both positive and negative traits are attributed to him. Two extreme examples of a complex color in a person’s personality are a cruel, short-tempered, intolerant dictator and a focused, vivacious, creative leader.

They discovered how to use these qualities to good use in medicine. When treating initial neurasthenia, depression, and depression with painted light, the stimulating effect of fire shades is utilized.

Saturated raspberry or bright scarlet can stimulate appetite. This aids in maintaining appropriate nutrition, controlling digestive processes, and preventing dystrophy.

How to get red

The base can be obtained in two ways: by combining different colors with natural dyes.

  • berries;
  • beet;
  • onion husks;
  • sandalwood.

These plants’ juice, pulp, and wood are soaked and cooled to release the pigment.

Two dyes must be combined in equal parts for industrial production:

  1. Magent. Synthesized aniline dye close to fuchsia. He does not belong to warm or cold tones. This allows you to get an average shade. When its proportions changes in one direction or another, cold pink or warm orange subtons appear.
  2. Yellow.

How many shades of red exist

Panton is an American company that is unquestionably an expert in color matters. When it was founded in 1963, all tones and subtonations were numbered and organized. The "Pantone Standard" catalog was first utilized in international printing.

There are roughly 100 shades in the table’s red palette that can be combined into six major groups:

  1. Scarlet.
  2. Raspberry.
  3. Fiery.
  4. Red-brown.
  5. Dark bordard.
  6. Dark red.

Rich gamma tones have subtons of pink, orange, brown, and purple along with varying brightness, saturation, and warmth.

This article examines the range of red hues and their uses, delving into the symbolism, psychology, and pragmatic reasons for using different red paint tones. Every shade, which ranges from the blazing intensity of scarlet to the reassuring warmth of burgundy, has a unique emotional significance and has the power to significantly alter the atmosphere of a room. This guide aims to equip readers with the knowledge to confidently incorporate red hues into their painting projects, whether to evoke passion, create a sense of coziness, or make a bold design statement. It does this by exploring cultural associations, design principles, and real-world examples.

By 2020, there will be one hundred scarlet and burgundy hues. The Pantone Institute chose to include yet another. The color Period was introduced to represent the topic of female menstruation and draw attention to the taboo.

Since a palette of fiery tones already provides plenty of opportunity for creativity, designers and fashion designers have not yet responded to the ambiguous novelty.

Alizarin

The organic dye of the same name (krapp and purple) gave the bright shade its name. Natural alizarin has long been made from the roots of the grassy Marena dyeing plant, which is widely found in the Caucasus, Eastern Europe, and Central Asia. since 1826. The orange crystals of anthrapens, which dissolve in alkalis, are the source of alizarin’s synthesis knowledge.

This is a pale, transparent shade that resembles raspberry. He is the last person in the row in front of the pink gamut in the red gamut.

Gray-violet is one of the successful combinations because the shade leans toward purple tones. Artists, photographers, and designers adore alizarin for its brightness and elegance.

Scarlet

The origin of the name is Turkic. It means "flame" and is connected to Georgian Ali and the Arab Alaw. In comparison to a traditional cold red, the scarlet is regarded as warmer and has orange undertones.

It is separated into several subtons, such as tomato cherry and grenadine.

During the USSR era, a unique paint was used to emphasize certain color schemes for printing houses with the image of the "Scarlet C" flag.

There are numerous traditional pairings with scarlet:

  • with gypsum – color contrast makes scarlet more noble and harmonious;
  • with pink – a bright contrast with a more pale shade;
  • With dark blue or cold green-a catchy combination of warm and cold shades enhancing each other.

Scarlet with pink and gypsum-white contrast duets are acceptable with black, gray-violet, and brown.

A tasteful use of scarlet in the interior design fosters a cozy, joyous, and upbeat vibe. When decorating a space in the traditional Finnish style, scarlet goes well with blue and white.

Amarante

The word refers to the hue of the amaranth plant, which grows in South America. It was first used in England in 1671 as the paint’s name. in the wool staining instructions. It required combining red and blue or burgundy and blue to obtain.

Because of its reddish-blue color, amaranth can range from being a "raspberry with cream" to being purple.

Together with light gray, lemon, white and bleached pink, and graphite, this pure and expressive kner will create a harmonious combination.

The winning duets from Amaranth are:

  • With the color of the white heron – the dim, noble white shakes and fills with sophistication;
  • with varnish black – deep contrast, rich, solemn and chamber.

Amaranth serves as an additional point of interest for onlookers, its primary function being to accentuate and shade the furnishings and design.

Burgundy

The burgundy palette has a wide variety of wine tones. One of the most distinctive is burgundy. It is perceived as being an order of magnitude colder because it differs from warm Bordeaux burgundy and purple notes. The noble shade, which is linked to a refined and subtle taste, triumphs over saturation and depth.

Burgundy produces harmonious monochromatic images with similar wine tones in colorism.

To prevent melancholy, a traditional combination of brown and chocolate should be toned down with pastel colors. Baroque and Rococo styles are suitable for the gold duet.

Pomegranate

The dark brown grenade grains have nothing to do with the shade. His name comes from a semiprecious grenade stone, not the fruit. The brilliant reddish stone has orange glare.

He is listed as Vivid Reddish Orange in the English Royal Society of Flower Growers’ classifier, which is translated as "bright reddish-orange." Oranges serve as the foundation for grenade tones. Red paint is applied first, and the brown is masked off afterwards.

Red cardinal

The phrase appeared for the first time in 1698 as a description of color. The Catholic cardinals, whose ceremonial cassocks and cassocks were painted in this intense shade, are the ones who deserve credit for the tone’s name. This ancestry firmly established connections with great authority, status, and selection.

The magnificent "cardinal" will appear deep and languid in the evening, and bright and dazzling in natural light.

This adaptability goes well with sophisticated trends like khaki and coal-black as well as simple pastel colors.

Carmine

In Europe, a vivid shade of raspberry is known by the names Koshenil (English) and carmine (FR). This is because the name "powdery worm" has been translated differently.

This insect’s female produces a pigment that is naturally colored. They learned to combine red and blue in the industry to create the Karmin tint.

The only people who still extract koshenile paint from a valuable insect are the traditional British who use it to color their army uniforms.

Oriental interiors are associated with the use of karmin shades in design. Lemon, banana, boiled white, and ultramarine combine to create exquisite combinations. Combinations with purple and silver-green hues are created in a cozy and disposable environment. When combined with warm yellow, golden, and red hues, karminn creates an oriental fairy tale.

Chestnut

The name "red and brown" was inspired by the fruits of the chestnut tree. This hue has been referred to as English red or Indian red at different times. Chestnut is connected to chocolate, red hair, and equine breeds.

Effortless tones result in sophisticated yet powerful combinations:

  • with olive – an expressive and harmonious addition;
  • with sand and light brown-deep and voluminous interweaving, contrast of light and shadow;
  • with azure-blue-reviving game of the sun and shadows.

Chestnut laconically complements the English colonial interior design. He is sitting calmly next to some redwood furniture here. Hi-Tex and Neo-Ampir styles will require dilution of a lazy reddish-brown sand color.

Cinnabar

The mineral bearing the same name was named for its intricate reddish-brown hue containing gray undertones. Zinnabarite, also known as the mercury mineral Kinovar, is a naturally occurring source of color.

The tonality of natural cinnabar varies from orange-red and fiery-scarlet to bluish red, depending on the impurities. Because of her immense popularity in China, Kinovar was given the moniker "Chinese red."

Chinese characters can be combined in both traditional and modern ways.

  • with coal-black-a traditional combination in the usual oriental traditions;
  • with dark brown-a less sharp, juicy combination, built on the bright contrast of light and dark;
  • With the color of a copper patina – an emotional duet built on the temperature contrast of cold copper and warm cinnabar.

Kinovar can be used in a Victorian manner inside of European interiors. Oddly curved lines combine two directions to produce vibrant patterns.

Coral

The combination of three colors—orange, pink, and red—produced a medium-light shade of reddish-orange with a golden undertone.

The following duet sums up the tone of 2019 according to Panton’s magazine:

  • with ivori, cream, creamy shades of white – delicate and soft combinations;
  • with Biryuzov – a couple for decorating a premises in the marine theme;
  • with sandy yellow, golden yellow-cheerful and warm steam;
  • with pale salute-cool freshness (in the absence of acid green and yellow tones).

Neutral pastel colors and cool, contrasting hues work best with warm coral. When a design is limited to coral tones, it can become strong and assertive.

Falunsky red

Swedish kner, dark red in color. He owes his name to the Falun copper mine. Based on this pigment, paintings were created at homes in Sweden, Finland, and eventually all of Scandinavia. Simple farmers created a brick-like appearance for their homes in order to make them appear richer and more successful.

The color is still used in Finland under the names "Earth paint" and "Boiled paint."

Its commercial production was arranged in 1764. There is a color called Falu Rödfär available in the current lineup of all major Finnish brands.

Falunsky complements the basic hues of the interior of Scandinavia well:

  • with a shade of ivory and creamy shades of white;
  • with yellow citrus – a cheerful duet;
  • with blue cobalt – a non -banal new Scandinavian palette;
  • with bright-loss and additional pastel tone.

The cozy feeling of home is ensured by the use of the Finnish color scheme. The Scandinavians refer to their idyllic and contented family life as "Red House and Potato Field."

Fuchsia

The same shrub, whose flowers shimmer either pink or purple, is responsible for the appearance of the shade of fuchsia. Paint in fuchsia is complex. Hollywood cherry, fandango, deep fuchsia, and six more tones with varying saturations are among her shades.

Although it has a warmer submachine than Magent, the fuchsia palette is similar to it. It’s challenging to counterbalance or neutralize fuchsia.

She can’t stay unnoticed, which is why the same expressive tones are used with it:

  • with light green-a rich and exotic combination referring to nature and tropics;
  • with silver – a noble, captivating and mysterious game of contrasts;
  • with orange-smoral, fiery, bright orange, peach-thermal contrast, enhancing the saturation of the pair.

Neutral light and dark tones, such as cream, white-gray, steel, and anthracite, will draw attention to fuchsia in a monochromatic interior.

Dark beard

The combination of two colors—bright, impulsive red and serene, deep brown—is burgundy. This encompasses the entire range of colors, such as wine, burgundy, maroon, and marsal.

The plum and purple tones show in the dark-beard if a deep red tint plays the main violin in the traditional burgundy.

Any image is transformed by an opulent and noble shade that adds taste and style.

It is possible to combine saturated dark-beard with bright and neutral combinations:

  • with beige, light brown-a neutral base that emphasizes the depth of Bordeaux;
  • with gray, gray-violet-a gray palette, the saturation of which can be changed, focusing on burgundy;
  • with Salatov – a bold, spectacular duet built in contrast;
  • orange – juicy non -trivial combination for ethnic designs.

Dark-bearded interior design plays a significant role in the opulent Rococo, Baroque, and Empire styles. Bordeaux is appropriate in an ar-deco style that leans toward luxury in modern design. Use it as a bright accent in high-tech Bordeaux, minimalism, or pop art.

Terracotta

The intersection of the red, brown, and orange hues is where the complex borderline color is found. Tone of burned clay, terracotta’s natural equivalent.

When burning, the dark orange variety exhibits a full color spectrum ranging from cream to carrot to brick and coal-brown.

Because of terracotta’s adaptability, you can make amazing but delicate combinations:

  • with royal pink, pale purple, flaming, ash-pink-the game of contrasts of related shades;
  • with Rubin, wine, dark red-a profitable shading of terracotta with related Bordeaux;
  • with ocher, coral-peach, golden-medal-a harmonious combination in autumn gamut;
  • with mustard, amber, olive-yellow-sweet, juicy spring composition;
  • with olive-green, coniferous, brown-green-warm natural tones that enhance each other.

There is a lot of room for creative solutions thanks to the combination palette. Terracottus is the primary material used in national, safari, and ethnic fashions. He is in charge of the heat and sun transfer in the sea and Tuscan interiors, and with moderate use, he provides the comfort of loft-style and minimalist buildings.

Rusty

The hue of the oxidized iron-rust is depicted by the orange-red shade. Compared to orange, it is warmer and darker, but it is lighter than brown. Its name alludes to the rusty’s red color.

Linguists relate the German word rusta, meaning "redness," to the English word "rust." 1692. English speakers first used the word "rust" to refer to the paint.

Rusty is a flexible friend who lets you put together contrasting and well-balanced combinations:

  • with wine, burgundy, karmin – a harmonious and exquisite option that can be smoothed out with gray accents;
  • with swamp green, khaki, the color of the moss – a duet of opposites;
  • with mint-aesthetic perfection (provided that the rusty-brown, and not rusty-red).

Beige hues should be used to calm rust in a daily space that doesn’t need bright accents.

Sangria

The rubble is the most delicate shade in the Bordeaux wine range. Although the Spanish fruit drink bears the same name, the palette is unrelated to it. It’s described as "dark red goes to visit pink," a medium-dark pink color with a beard.

When combined with complex companions, a complex shade can accomplish the following goals in producing images of nobility and style:

  • with medium-pink-built in contrast in lightness;
  • with plivov, eggplant, grape – withstands the contrast of cold and warm tones;
  • with brown, oak, nut, sapia, chocolate, coffee – creates moderately juicy saturated and multifaceted combinations.

Pastel and gold can go well with sangria when it comes to interior design. Duets can be diluted by adding light brown, light green, and neutral beige hue accents.

The rest of the shades of red

The red palette’s listed names are not all-inclusive. Every shade varies in a few ways:

  • saturation or intensity;
  • brightness;
  • lightness.

Apart from these parameters, warmth—that is, whether the tone is cold, neutral, or warm—determines red. Several groups are distinguished for the subtons on these principles.

Pure color

Red Royal is Panton’s name for their iconic shade of pure red. It turns out to be a yellowish-magent mixture. It is common to associate royal with warm tones.

Its warmth can be altered by blending with different hues.

Yellow is made of warm, pure red that is aiming for orange. To bring him into a cold tone, use blue and blue tones.

Light red

There are pink-ish tones in the light red color scheme. Two times lighter than red is the color that is most distant. In the natural world, shades of light red predominate over pure red. They don’t sing as much or be as catchy. Butterfly color, subtlety, and bird plumage can all be identified by soft light.

Dark red

Screaming red in restrained and noble shades has depth and saturation without sacrificing vigor or charm. For the traditional English style, use a dark red, basic tone.

Chocolate highlights the noble quality of red in this interior design, while topaz plays with the contrast of warm and cold. Brown, brass, and sunny yellow tones can help create strong compositions.

Complex shades

The majority of the red palette’s shades are from the complex family. It’s enough to know the colorism laws to comprehend this.

Give up three flower ranks:

  • The main ones are yellow, red and blue;
  • component – green, purple and orange, obtained by mixing the main;
  • complex – the result of mixing one of the components with the neighboring main.

Red-orange and red-violet tones, along with all of their shades, are included in the complex.

Web-palets

A web-fad is a table with 216 colors that does not warp when sent over the Internet. They appear the same in graphic editors and on various devices.

Ten of them are red representatives:

  1. Brown-raspberry.
  2. Dark red.
  3. Brick.
  4. Indian chestnut.
  5. Crimson.
  6. Dark-sized.
  7. Light coral.
  8. Salmon.
  9. Red.
  10. Light-segment.

The table is unrelated to fashion trends or the opinions of experts; these colors were bred mathematically.

From passion and energy to danger and warmth, red is a color that conjures up a variety of feelings and associations. This article has discussed the different tones of red and how to use them in painting. Every shade, from vivid crimsons to rich burgundies, adds a unique personality and impact to a room.

Making wise decisions when using red in your designs can be aided by knowing its psychological significance. Bright reds are perfect for areas like dining rooms or entertainment rooms where you want to encourage activity because they can evoke a sense of urgency and excitement. Deeper hues, such as burgundy or maroon, on the other hand, can add refinement and elegance, making them appropriate for formal or private settings.

It’s important to keep the overall atmosphere and mood in mind when utilizing red in interior design. To keep red from overpowering a space and to balance its intensity, pair it with complementary hues like white or neutral tones. Furthermore, red can be used as an accent color to add pops of interest without taking over the room by way of accessories or modest furniture.

Whether applied to a front door, trim, or the entire facade, red can create a striking impression in exterior applications. Different tones of red can have different meanings depending on the architecture and surroundings. For example, a bold red door can serve as a warm focal point, while a terracotta color can subtly meld with the surrounding landscape.

All things considered, red’s adaptability makes it a useful color for both homeowners and designers. There is a shade of red to fit every preference and purpose, whether you’re looking to arouse passion, convey warmth, or make a statement. You can use the power of red to improve the aesthetics and ambiance of any space by being aware of the subtleties inherent in each color and their psychological effects.

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Maria Vlasova

Chemist-technologist, expert on paint and varnish materials. I will help you figure out the compositions of paints, their characteristics and choose the best option for your purposes.

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